The Book Thief

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Bibliography

Zusak, Markus.  The Book Thief.  New York: Knopf, 2005.  978-0-375-84220-7

Summary

Liesel was not born a thief, it is a habit she has decided to cultivate and develop.  Stealing books gives her something she can control in an otherwise uncontrollable world.  Given up by her mother, watching her brother die, and living in a nation being torn apart of the atrocities of Hitler and World War Two, there is little else in her life she has power over.  While stealing away her books, Liesel learns to hope from those around her, discovers a new family and learns compassion in ways she never could imagine.

Analysis

While stories of the Holocaust and Hitler are popular these days, The Book Thief stands out.  To begin, it does not tell the story of concentration camps or Jews, but rather the life of a young, average, German girl.  Rather than focusing on the atrocities experienced by the persecuted, Zusak illustrates the everyday struggles of the poor and under-educated; a population easily over looked by history due to their lack of involvement or direct suffering during the war.  To add to this unique perspective, The Book Thief is voiced by a narrator who, while a major player in World War Two is rarely heard directly from; that of Death himself.

It seems only appropriate that Death would narrate a novel that is set in Germany in the midst of World War Two.  The voice that Zusak has created for him is somehow equally unexpected and absolutely perfect.  Death is cool and causal about the events of the human world around him, painting a picture of the world Liesel lives in without becoming overly connected to the humans he passes and carries.  At the same time, he is able to express all the anguish, fear and hope those who live with Liesel on Himmel Street experience, giving insights that allow the reader to connect with every major character in the book.

Of all the characters, Liesel and her Papa, Hans, are the most likeable.  Every action they take shows the depth of their compassion and the quality of their characters.  While the rest of Germany appears to have aligned their beliefs with Hitler, Hans does what is right and not popular, despite the repercussions he faces.  Liesel, in her own, more selfish way, also does what is right; rather than live illiterate and uneducated, she searches for opportunities to steal knowledge and learning.  Together, they work to make the best of the bad situation they have been given, eternally optimists.

Awards and Reviews

*SLJ Best Book of the Year

*Michael L. Printz Honor Book

*National Jewish Book Award for Children’s and Young Adult Literature

*Daniel Elliott Peace Award

“The Book Thie’ is perched on the cusp between grown-up and young-adult fiction, and it is loaded with librarian appeal. It deplores human misery. It celebrates the power of language. It may encourage adolescents to read. It has an element of the fanciful. And it's a book that bestows a self-congratulatory glow upon anyone willing to grapple with it….

To be sure, The Book Thief attempts and achieves great final moments of tear-jerking sentiment. And Liesel is a fine heroine, a memorably strong and dauntless girl. But for every startlingly rebellious episode — Rudy's Führer-baiting impersonation of the black American athlete Jesse Owens, the building of an indoor snowman for a Jew in hiding, the creation of books and drawings that frame Liesel and Max's experiences as life-affirming fairy tales — there are moments that are slack.

The Book Thief will be appreciated for Mr. Zusak's audacity, also on display in his earlier I Am the Messenger. It will be widely read and admired because it tells a story in which books become treasures. And because there's no arguing with a sentiment like that.”  -New York Times

“When Death tells a story, you pay attention. Liesel Meminger is a young girl growing up outside of Munich in Nazi Germany, and Death tells her story as “an attempt—a flying jump of an attempt—to prove to me that you, and your human existence, are worth it.” When her foster father helps her learn to read and she discovers the power of words, Liesel begins stealing books from Nazi book burnings and the mayor’s wife’s library. As she becomes a better reader, she becomes a writer, writing a book about her life in such a miserable time. Liesel’s experiences move Death to say, “I am haunted by humans.” How could the human race be “so ugly and so glorious” at the same time? This big, expansive novel is a leisurely working out of fate, of seemingly chance encounters and events that ultimately touch, like dominoes as they collide. The writing is elegant, philosophical and moving. Even at its length, it’s a work to read slowly and savor. Beautiful and important.” –Kirkus

Connections

Read Night by ElieWiesel or Maus by Art Spiegelman.  Using what you learned about Max from the The Book Thief and the image of life in the concentration camps created by the other book, create a journal or narrative of Max’s life after the Germans captured him. 

Liesel is around the same age as Dewey from The Green Glass Sea and alive during the same time period, however their life experiences are very different.  Write a script of a conversation between the two girls about their experiences during World War Two.

Watch the movie version of The Book Thief.  Compare and contrast the two stories. Which version do you like more?  Why?

Markus Zusak writes about his book being made into a movie.

The movie trailer

An interview with Zusak

Zusak’s Twitter