All the Light We Cannot See

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Bibliographic data:

Doerr, Anthony (2014).  All the Light We Cannot See.  Read by Zach Appleman.  New York: Simon & Schuster Audio.

Summary: 

Marie-Laure lives in Paris with her father.  When Marie-Laure goes blind at age 6, her father and his colleagues at Museum of Natural-History work together to ensure she is able to navigate her way though the world.  When the Nazi’s occupy Paris during World War II, Marie-Laure’s father is given an important task, which takes them away from the city to her uncle’s home on the coast.  Here, Marie-Laure’s life forever changes.

Werner is a German boy living in an orphanage with his younger sister.  He is mechanically minded, brilliant and ambitious.  After finding a broken radio, he teaches himself how to repair it.  Soon, he is repairing every radio in his small town.  These skills eventually take him to a Hitler youth academy where he builds his technical and emotional knowledge before joining the war. 

Without knowing of each other, Marie-Laure and Werner’s lives are deeply intertwined.  Do a radio, a diamond and a war have the power to bring them together?

Analysis: 

Written for older young adult readers, All the Light We Cannot See is a complicated read.  To begin, there are multiple story lines that cover multiple countries and years.  These stories are not told solely from the perspectives of Marie-Laure and Werner, but also half a dozen other characters.  In addition to these complicated aspects, the story is not presented chronologically.  The opening chapter has Marie-Laure in her uncle’s house as Saint-Malo is being bombed near the end of the war.  After this, we are with a young Werner in Germany, then Marie-Laure before she looses her vision.  These elements are engaging, however they require an advanced reader with solid comprehension skills.

While historically accurate, Marie-Laure and Werner are easily relatable.  Their concerns and thoughts mirror those of youth today, in spite of the darkness of their time period.  The powerlessness they feel, unable to fully control their lives, as well as their restlessness to want to be somewhere else are fairly universal themes for young people. 

It is interesting to have a story about World War II that tells the perspective of German citizens.  While there are many stories that speak to the tribulations those under the Nazi’s experienced, it is rare to hear the perspective of common Germans or Nazi soldiers.   This perspective would make an interesting discussion point to speak about group mindset, selfishness versus selflessness or to use as a writing prompt against a book such as Night by Elie Wiesel.

Activity:

Marie-Laure and Werner’s lives are interconnected due to radios.  Years before she was born, Marie-Laure’s grandfather and great-uncle produced a scientific radio program.  Marie-Laure’s uncle continues to broadcast the program using a transmitter in his attic.  As children, Werner and his sister find the program and love listening to the calm voice explain difficult scientific concepts. 

Readers will create their own children’s radio program.  The readers will decide on a topic on which they are experts.  They should create an outline of the key concepts that are important to the subject, and then write a script breaking these concepts down so that young children would be able to learn from their expertise.  When they are finished, they will record and publish their script to a site such as youtube.com.

Related Resources:

Every year for Marie-Laure’s birthday, she receives two gifts from her father: a Braille book and a homemade puzzle box with chocolates inside.  Despite her blindness, Marie-Laure is always able to quickly discover the secrets of his puzzle boxes, even though they often have more than a dozen steps to solve.

Puzzle Boxes: Fun and Intriguing Band Saw Projects would bring these puzzle boxes to life for a skilled reader.  The book provides instructions on how to create wooden puzzle boxes, just like the ones Marie-Laure received for her birthday.

Vollmer, Jeff. (2012).  Puzzle Boxes: Fun and Intriguing Band Saw Projects. Cincinnati: F+W Media.

Marie-Laure’s father works at the Paris Museum of Natural History.  Until the occupation of Paris, Marie-Laure accompanies him when he goes to work.  Here, the museum’s scientists and director teach Marie-Laure about the artifacts in the museum and encourage her curiosity about the scientific world.

Using the automatic translation feature of Google Chrome, English speaking readers can experience the modern day Paris museum through its website.  Of particular interest based on the book would be the Jewels of the Museum page, where gems and precious stones can be viewed or the Evolution of Living which features biological sciences.

Museum National D’Histoire Naturelle.  Retrieved from https://www.mnhn.fr/fr (accessed July 8, 2016)

Published Review:

“A novel to live in, learn from, and feel bereft over when the last page is turned, Doerr’s magnificently drawn story seems at once spacious and tightly composed. It rests, historically, during the occupation of France during WWII, but brief chapters told in alternating voices give the overall—and long—­narrative a swift movement through time and events. We have two main characters, each one on opposite sides in the conflagration that is destroying Europe. Marie-Louise is a sightless girl who lived with her father in Paris before the occupation; he was a master locksmith for the Museum of Natural History. When German forces necessitate abandonment of the city, Marie-Louise’s father, taking with him the museum’s greatest treasure, removes himself and his daughter and eventually arrives at his uncle’s house in the coastal city of Saint-Malo. Young German soldier Werner is sent to Saint-Malo to track Resistance activity there, and eventually, and inevitably, Marie-Louise’s and Werner’s paths cross. It is through their individual and intertwined tales that Doerr masterfully and knowledgeably re-creates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.High-Demand Backstory: A multipronged marketing campaign will make the author’s many fans aware of his newest book, and extensive review coverage is bound to enlist many new fans.”

Hooper, Brad. (2014).  All the Light We Cannot See. n.p.: Booklist, 2014. Book Index with Reviews, EBSCOhost (accessed July 8, 2016).

Rain is Not My Indian Name

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Bibliographic data:

Leitich Smith, Cynthia (2001). Rain is Not My Indian Name.  Read by Jenna Lamia.  New York: Listening Library.

Summary: 

Cassidy Rain Berghoff knows grief all to well.  Her mother died when he was a child, and now, on the eve of her fourteenth birthday, her best friend Galen is struck by a car and dies during the night.  In response, Cassidy pulls herself inward, isolating herself from friends and family for months.  When Galen’s mourning mother tries to put a stop to the Indian youth camp her aunt has organized, Cassidy is pulled back into the world and forced to think about herself, her heritage and what’s best for everyone.

Analysis:            

Leitich Smith has created a likable, relatable character in Cassidy.  Because of, or perhaps in spite of, the great losses she has had in her life, Cassidy is down to earth and realistic.  She is a well-balanced character, possessing get self-confidence at times and extreme self-doubts at others.  She is perfectly flawed, she makes mistakes that hurt others and is hurt; yet at the same time she shows great compassion and empathy.  She understands the complexities of the people around her, while not understanding their puzzling choices and behaviors.

Cassidy’s questions and concerns are easy to relate to, even for those who are not part Native American.  Throughout the book, Cassidy attempts to figure out about relationships, her place in the world and why people treat each other as they do, all things that most teens can relate with.  Her experiences in the book are very universal, allowing both male and female readers to connect with the story. 

Rain Is Not My Indian Name would be a benefit to any multicultural library collection because Cassidy and her family are not the stereotype of Native Americans.  Often stories that feature Native characters take place in the distance past, preventing the characters from relating to modern youth.  With the exception of some outdated technology, Cassidy is clearly living in the now.  This is, unfortunately, a unique characteristic that makes Rain is Not My Indian Name an important addition to a young adult collection.

Activity: 

When reconnecting with the world after Galen’s death, Cassidy turns to her camera.  She takes photos of her aunt’s Indian Camp for the local newspaper, allowing her to be a part of camp while still being an outsider.  She focuses on the technical aspects of her photographs, the light and angles, to ensure that they capture the correct feel and emotion. 

Give readers either digital (preferred) or disposable cameras.   Have a number of still life scenes setup, lit using lamps and flashlights.  Allow the readers to experiment with different positions of the lights to create different shadows.  After this, instruct students that they will be taking portraits of each other to show various emotions, however there is a challenge.  No facial expressions are permitted; students must maintain a neutral face.  They may change their head position.  Students will have to use angle and lighting to create the desired effect. 

Related Resources:

One of positives of the book is that it portrays Native Americans doing modern day activities.  Cassidy’s older brother works in the technology industry designing webpages.  For many readers, the process of designing a webpage would be completely foreign.  Learning HTML for Kids is a basic guide on how to design a webpage.  If a reader finds this career choice intriguing, they can start designing their own sites.

http://www.goodellgroup.com/tutorial/

Jeffers Goodell, Jill.  Learning HTML for Kids.  Retrieved from http://www.goodellgroup.com/tutorial/ (accessed July 3, 2016)

A major event throughout the book is the Indian Camp that Cassidy’s aunt is organizing.  The camp has a science and technology focus, with the campers experimenting to see how strong they can build a bridge made from spaghetti noodles and Elmer’s glue.  To further the importance of science and technology, readers could do their own experiments.  Scholastic Inc has put together a list of fun videos with experiments that students could recreate or use as inspiration.

http://www.scholastic.com/teachers/article/40-cool-science-experiments-web

Scholastic Inc.  40 Cool Science Experiments on the Web.  Retrieved from http://www.scholastic.com/teachers/article/40-cool-science-experiments-web (accessed July 3, 2016)

Published Review:

“Multiple plot lines and nonlinear storytelling may make it difficult to enter Smith's (Jingle Dancer) complex novel, but the warmth and texture of the writing eventually serve as ample reward for readers. The sensitive yet witty narrator, 14-year-old Cassidy Rain Berghoff, grows up in a small Kansas town as one of the few people with some Native American heritage. That experience alone might challenge Rain, but Smith creates a welter of conflicts. Rain's mother is dead (she was struck by lightning), and as the novel opens, her best friend is killed in a car accident just after he and Rain realize their friendship has grown into romance. Six months later, her older brother urges her to go to her great-aunt's Indian Camp. At first she shrugs it off, but later volunteers to photograph the camp for the town paper and begins to share her Aunt Georgia's commitment to it. When public funding for the camp becomes a contested issue in the city council, Rain decides to enroll. Some of Smith's devices such as opening each chapter with a snippet from Rain's journal add depth and clarify Rain's relationships for readers, although other elements (the detailing of song lyrics playing in the background, for instance) seem stilted. Even so, readers will feel the affection of Rain's loose-knit family and admire the way that they, like the author with the audience, allow Rain to draw her own conclusions about who she is and what her heritage means to her.”

2001. Rain is Not My Indian Name. n.p.: Publisher’s Weekly, 2001. Book Index with Reviews, EBSCOhost (accessed July 3, 2016).   

Midwinterblood

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Bibliographic data: 

Sedgwick, Marcus (2014).  Midwinterblood.  Read by Julian Rhind-Tutt.  New York: Listening Library.

Summary:  

Midwinterblood is comprised of seven short stories, each its own story but all connected by an island and two names, Merle and Erik.  Spanning thousands of years, each story is its own, telling of a journalist, archeologist, painter, farmer, fighter pilot, king and nanny.  Each story, however, has elements that are relate to the others: a hare, a phrase, a flower.  Could these stories, despite their differences and the years between them, be intertwined?

Analysis:  

Midwinterblood is an engaging, well-written and thought-out book.  Sedgwick managed to create seven stories that could easily stand on their own but instead group together to make a stronger, more compelling book.  With each new story, the reader becomes more certain that the Eriks and Merles from each story are somehow connected.  Each story provides the reader with the smallest hint of how the stories connect, hints that are often not obvious until a number of stories later.  This interconnectedness draws the reader in, making Midwinterblood an easy page-turner.

Because it is comprised of a number of short stories, there is a story line for nearly everyone.  The short story genres range from ghost stories to historical fiction, realistic fiction to mystery.  This variety makes Midwinterblood an ideal read for book groups or classroom assignments.  The variety is complimented by foreshadowing and reoccurring ideas, making it easy to make predictions about what is to come in the novel and discuss theories of how, or if, the stories are related.

Midwinterblood does not have the feel of a young adult novel.  The characters are not anxious teens attempting to discover themselves, but rather a mix of young and old, males and females.  This is likely to catch some young adults off guard.  The uniqueness of the story line will engage some young readers, while others might be unable to connect to the book without seeing more of themselves in the characters.

The audio reading is well done overall.  Julian Rhind-Tutt creates a variety of voices, allowing the multitude of characters to come to life.  The musical selection that plays between the stories matches the feel of the novel, mysterious and ancient.  Towards the end of the book however, Rhind-Tutt’s voice trails off awkwardly at the end of sentences, leaving the listener in a constant state of discomfort as he or she wonders if the chapter is ending or if there are errors with the playback.

Activity:  

A class could use the unique combined short story style of Midwinterblood as a starting point for a collaborative writing project.  To begin, all students could be given two names.  Each individual or small group could then compose a short story with two characters that have the assigned names. There should be no restraints on how the names are connected or used.  After this writing is complete, the individual writers would share their writing with the class.  Then, as a whole group, the class would brainstorm and write an overarching story that connects all of the short stories.

Related Resources: 

The connection between the stories in Midwinterblood is an ancient human sacrifice.   In an attempt to appease the gods and his people for years of bad crops, King Erik offers himself.  As he dies, he promises his wife, Merle, that they will live seven times and that he will find her.  European human sacrifice is likely an unknown topic for young adult readers, this site from the BBC will provide them with background knowledge on the subject.

http://www.bbc.co.uk/history/ancient/british_prehistory/human_sacrifice_01.shtml

Parker-Pearson, Mike (2011).  The Practice of Human Sacrifice.  Retrieved from http://www.bbc.co.uk/history/ancient/british_prehistory/human_sacrifice_01.shtml  (accessed June 20, 2016).

One of the stories in Midwinterblood tells of a famous painter who creates a giant painting depicting a scene of a primitive human sacrifice.  This sacrifice is central to the story and is titled “Midwinterblood”.  The painting however was not an idea original to Sedgwick.  He based the story off a painting created in 1915 by Carl Larsson titled “Midvinterblot,” which is housed at the Swedish National Museum.  Larsson’s painting does not match Sedgwick’s description exactly, however the similarities are obvious.  The following links tell more about Larsson, show examples of his work and tell about “Midvinerblot.”  This background knowledge could help the reader to better understand Sedgwick’s writing process as well as to visualize the painting and sacrifice scene from the book. 

Hernan, Oriol. Carl Larsson Paintings.  Retrieved from https://www.youtube.com/watch?v=dnrTJvpmynk (accessed June 20, 2016)

Oakley, Howard.  Carl Larsson: how a loved and popular painter became lost in controversy.  Retrieved from https://eclecticlight.co/2015/11/22/carl-larsson-how-a-loved-and-popular-painter-became-lost-in-controversy/  (accessed June 20, 2016).

National Museum.  Midvinterblot: Sweden’s Most Controversial Painting.  Retrieved from: http://www.nationalmuseum.se/ (https://goo.gl/qeEM81 ) (accessed June 20, 2016).  Translated using https://translate.google.com/.   

Published Review:

“Ominous drumbeats and solemn music introduce each intertwined story in the audio of Sedgwick’s Printz Award–winning fantastical and bleak tale. Each story works its way backward in time, exploring the lives of reincarnated lovers Eirikr and Melle, a Dark Ages king sacrificed for his people and the wife he asked to follow him through centuries of rebirth. All set on the island of Blessed, these tales are spooky and strange and bordering on the horrific. A Viking spurned by his lover—his brother’s wife—tries to reclaim his children, even after death, stalking the island seeking blood. A wraith masquerading as a nanny tells her ghostly tale to two unsuspecting children visiting the island. Rhind-Tutt’s voice is supple and full of gravitas, able to command as well as purr. Like a bard of yore, he grips the listener, though because some of the main narrators and characters are women, and young as well as old, it can be difficult to sort out relationships at times. This is an excellent choice for those seeking chills—just don’t listen alone at night, during a thunderstorm.”

Cruse, Karen. 2014. Miswinterblood. n.p.: Booklist, 2014. Book Index with Reviews, EBSCOhost (accessed June 20, 2016).

Midwinterblood is comprised of seven vignettes, with settings ranging from the future to Viking times and a variety of characters, including vampires, ghosts, and humans. Common to all the stories is the Scandinavian island, Blessed; a mysterious dragon orchid; and Eric and Merle, who play different roles in each story. This unusual book for teens (many of the stories feature adult characters only) goes backwards in time, beginning with a story that takes place in 2073. While each narrative could stand alone, combining them into one volume with the barest threads of connections (similar to Olive Kitteridge or Let the Great World Spin) makes the book noteworthy. The audiobook is expertly narrated by British actor Julian Rhind-Tutt, whose hushed English voice is perfect for the recording. Sedgwick's sparse prose is beautifully read with a haunting, dreamlike quality that lets listeners experience the horror, mystery, romance, and tragedy that abounds in the book. Melancholy yet lovely music briefly separates the vignettes.

Paladino, Julie. 2014. Miswinterblood. n.p.: School Library Journal, 2014. Book Index with Reviews, EBSCOhost (accessed June 20, 2016).

The Green Glass Sea

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Bibliography

Klages, Ellen.  Read by Julie Dretzin.  The Green Glass Sea [CD].  New York: Penguin Putnam/Recorded Books.  2006.  9781428146396

Summary

In the midst of World War Two, life is difficult for all Americans.  This is particularly true for eleven-year-old Dewey Kerrigan.  After being abandoned by her mother as a toddler, Dewey has spent many years in the care of her grandmother while her father, a well-known and respected mathematician, has moved around the country teaching and working for the government.  After her grandmother suffers a stroke, Dewey is reunited with her father in Los Alamos, New Mexico where they live on a top-secret military base with scores of other mathematicians and scientists developing some type of “Gadget.”  Life on The Hill is a dream for Dewey; living with her father and being surrounded by brilliant men and women who are able to answer all her questions about math, science and machines without concerning themselves with her gender.  Her happiness on The Hill is interrupted when her father is requested to work in Washington, once again leaving her in the care of others.  This time however, it is not her grandmother but a family she hardly knows with a daughter who dislikes Dewey…and they are sharing a bedroom.

Analysis

Julie Dretzin expertly reads the seven unabridged CDs that make up this audio book.  Dretzin is a well-rehearsed and experienced performer, having acted on Broadway.  Her experience and expertise are easily heard through the multiple voices she creates, giving each character their own distinct sound.  A mental picture of Dewey is easy to create when listening to her small and uncertain voice talk about complicated mechanics and science concepts.  The confidence of a world-renowned mathematician comes through in her father’s voice, while at the same time capturing the uncertainty and stress of the project he is working so hard on.  There are no additional sound effects, beyond music to indicate the beginning and end of each CD, but the reader needs no additional noise, between Dretzin’s reading and Klages words a clear understanding and mental movie are created.

The Green Glass Sea is a perfect balance of fact and fiction.  The themes running through the book of family love, peer acceptance and following your dreams ring true in any time period while the feel of the fifties is captured through discussions of war, popular activities like “grabbing a Coke” and use of phrases such as “spiffy.”  The top secret nature of “The Project” keeps technical science talk to a minimum, however all the hints and overheard conversations are accurate.

The story itself is engaging and compelling, both to the intended young adult audience as well as to older readers.  Younger readers will easily connect with Dewey, who is confident in her ability and preferences, but lacks social graces with her peers.  Many young readers will be able to relate to her, sympathizing with her pain about being teased and understanding her interest in things her peers just don’t appreciate.  The mystery project that all the scientists and mathematicians are working on will keep kids wondering, while the code words used to describe the project will engage and entertain.  Girls, especially those interested in math and science, will find the social attitudes about women in these fields intriguing and unfair and will develop a new appreciation for how far society has come.

Older readers with a deeper understanding of World War Two will enjoy a peek into the daily lives of the civilians who worked endlessly to create the first atomic bomb.  Through the eyes of Dewey, we are able to see how life was for these brilliant minds, their motivations and hesitations about creating the most destructive force known to mankind.  The inner workings of the base and how the children of the project lived are subjects rarely touched on by historians and provide a new angle to an old subject. 

Awards and Reviews

*Scott O’Dell Award for Historical Fiction- 2007

*Judy Lopez Memorial Award for Children’s Literature – 2007

*One Book, One Nebraska for Kids – 2009

“Klages makes an impressive debut with an ambitious, meticulously researched novel set during WWII. Writing from the points of view of two displaced children, she successfully recreates life at Los Alamos Camp, where scientists and mathematicians converge with their families to construct and test the first nuclear bomb. Eleven-year-old Dewey, the daughter of a math professor, is shunned by the other girls at the camp due to her passionate interest in mechanics and her fascination with the dump, which holds all sorts of mechanisms and tools she can use for her projects. Her classmate Suze is also often snubbed and has been nicknamed "Truck" by her classmates ("'cause she's kind of big and likes to push people around," explains one boy). The two outcasts reluctantly come together when Dewey's father is called away to Washington, D.C., and Dewey temporarily moves in with Suze's family. Although the girls do not get along at first (Suze draws a chalk line in her room to separate their personal spaces), they gradually learn to rely on each other for comfort, support and companionship. Details about the era-popular music, pastimes and products-add authenticity to the story as do brief appearances of some historic figures including Robert Oppenheimer....the author provides much insight into the controversies surrounding the making of the bomb and brings to life the tensions of war experienced by adults and children alike.” –Publisher’s Weekly

“Dewey is an especially engaging character, plunging on with her mechanical projects and ignoring any questions about gender roles. Occasional shifts into first person highlight the protagonist's most emotional moments, including her journey to the site.... After the atomic bomb test succeeds, ethical concerns of both youngsters and adults intensify as the characters learn how it is ultimately used. Many readers will know as little about the true nature of the project as the girls do, so the gradual revelation of facts is especially effective, while those who already know about Los Alamos's historical significance will experience the story in a different, but equally powerful, way.” –School Library Journal

 Connections

Ellen Klages biography

The Penguin Educator’s Guide for The Green Glass Sea

Have students read WhiteSands, Red Menace, Klages continuation of the story.

Research the Manhattan Project, then look for historical facts included in the The Green Glass Sea.

Read another story of World War Two, such as Number the Stars or The Diary of Anne Frank.  Compare the lives of the girls, who were alive at the same point in history.  

Have students write a letter from Dewey to a child in Hiroshima after the bombing.  Have students reflect on how Dewey would feel about the dropping of the bomb and what she would want to convey to its' victims.

Bomb: The Race to Build --and Steal-- the World's Most Dangerous Weapon

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Bibliography

Sheinkin, Steve. (2012): Read by Roy Samuelson. Bomb: The Race to Build – and Steal – the World’s Most Dangerous Weapon [CD]. New York: Roaring Book Press/Listening Library.  978-0-8041-2218-4

Summary

The Second World War is in full swing.  The Allied Powers are making progress in their fight against the Nazis, slowly containing their movement and power on the ground.  The Americans and Brits work hand-in-hand with the USSR, fighting a common enemy while never putting full trust in the each other.  Despite the progress that has been made, there is a serious concern among American leadership.  It is known that the Germans have discovered a new energy source that could potentially be harnessed to create a weapon of mass destruction.  In supposed secret, the American, Soviet and German governments all begin separate projects to develop this technology, knowing that whoever can harness its power first will win the war. 

The race is on.  Who will discover the secrets of the atom bomb first?

Analysis

The atom bomb was arguably the most advanced scientific development of the twentieth century.  It took thousands of people years to perfect its destructive powers.  At the same time that it was being developed in America, a complicated web of Soviet spies were attempting to discover the secrets of this technology while German scientists also worked to solve the atomic puzzle. 

Sheinkin has managed to weave all these stories into one book.  Combining historical fact with dialog, this does not feel like the nonfiction that it is.  Jumping from viewpoint to viewpoint, Steinkin tells the story of American scientists and Soviet spies, then jumps to the viewpoint of the President or army rangers deep in enemy territory.  This constant change of voice keeps the reader engaged and makes the book feel like a story rather than a textbook.  Never staying with one story line for long, each section leaves the reader wondering what will happen next.

While all these story lines keep the book interesting, they also make the book complicated to follow.  There are many people involved in making the bomb that matching names to storylines becomes a challenge midway through the book.  While the book is recommended for grades 5-9, I would personally suggest the upper range of these grades due to the complexity of the story.

The 6 CD, unabridged audio version of the book is straightforward and simplistic.  Samuelson reads aloud, clearly and at a steady pace.  There is no background music, sound effects or character voice.  However, the simplicity is appreciated and appropriate.  Any added gimmicks would feel out of place with the seriousness of the subject matter.

Awards and Reviews

*Newbery Honor Book

*Robery F. Sibery Award

*National Book Awards – Finalist

“It’s a true spy thriller, ranging from the football stadium at the University of Chicago to the mountains of Norway, from the deserts of New Mexico to laboratories in East Tennessee, and all along the way spies in the United States were feeding sensitive information to the KGB… It takes a lot of work to make a complicated subject clear and exciting, and from his prodigious research and storytelling skill, Sheinkin has created a nonfiction story young people will want to read.

A superb tale of an era and an effort that forever changed our world.” –Kirkus Review

“This superb and exciting work of nonfiction would be a fine tonic for any jaded adolescent who thinks history is “boring.” It’s also an excellent primer for adult readers who may have forgotten, or never learned, the remarkable story of how nuclear weaponry was first imagined, invented and deployed—and of how an international arms race began well before there was such a thing as an atomic bomb.” –TheWall Street Journal

Connections

Research the major events of World War Two.  Create a dual timeline showing key moments in the making of the atomic bomb side by side with major world events.

Research one of the scientists, politicians or spies from Bomb.  Write a diary from their viewpoint.  Tell about their struggles and thoughts during the production of the atomic bomb.  Include doubts, certainties and personal feelings that can be supported but not necessarily proven by the official documentation of their work.

School Library Journal interviews Steve Sheinkin

Steve Sheinkin introduces the book

Complete research on the short and long term effects of the bomb.  Stage a debate arguing the merits and faults of the bomb.  Should any country have this power? 

Teaching Guide from Steven Sheinkin

Sheinkin’s Website